Play Along Piano

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chorus

Das Lied der Deutschen. {Professional production FULL SCORE.} [Unfinished.]

Jamie Holdham

0:36	Est. Play Time
90	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
2 FAGOTTE.		15	7	1	4	100%
4 VENTILHORNER in E.		17	18	2	4	100%
View all 18 Parts

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
2 FAGOTTE.		15	7	1	4	100%
4 VENTILHORNER in E.		17	18	2	4	100%
BASS. Alle Männer.		9	0	1	4	100%
BRATSCHEN.		8	0	1	4	100%
Contrabasse.		8	0	1	4	100%
Erste Violinen.		9	1	1	4	100%
TENOR. Alle Männer.		9	0	0	4	100%
Tuba.		13	0	1	4	100%
Violoncelle.		9	0	1	4	100%
Zweite Violinen.		9	0	1	4	100%
3 GROSSE FLOTEN.		9	0	0	4	83%
3 CLARINETTEN in Bb.		14	15	2	4	67%
3 HOBOEN.		14	15	1	4	67%
KLEINE FLOTE.		7	0	0	4	58%
PAUKEN. Es. u. B		4	0	2	4	33%
2 TENORPOSAUNEN.		4	2	0	2	8%
3 VENTILTROMPETEN in E.		2	1	0	2	8%
BASSPOSAUNE.		2	0	0	2	8%

J. Hoffenbach, Les contes d'Hoffmann: Couplets bachiques

Mélisande

3:08	Est. Play Time
69	Measures
	1,180Kb

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano		30	37	8	7	100%
		31	43	8	3	100%
View all 6 Parts

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano		30	37	8	7	100%
		31	43	8	3	100%
Hoffmann		14	0	3	6	75%
B		10	2	1	3	25%
T		11	10	2	3	25%
S		11	5	1	3	24%

Chiquilin de Bachin (Coro para Voces, Cuerdas y Vientos)

Daljin

4:01	Est. Play Time
111	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Contrabass		17	0	5	5	95%
Soprano		15	0	5	5	84%
View all 11 Parts

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Contrabass		17	0	5	5	95%
Soprano		15	0	5	5	84%
Bass		17	8	5	5	75%
Alto		18	9	6	5	63%
Tenor		18	4	5	5	58%
Violoncello I		16	3	2	3	36%
Flute I		18	0	5	5	33%
Violoncello II		10	4	1	5	25%
Oboe		11	0	1	5	18%
Flute II		16	0	6	4	15%
English Horn		5	0	0	3	11%

My Home

A. Knox

3:43	Est. Play Time
67	Measures
	1,357Kb

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano		22	52	0	6	100%
		22	23	0	6	100%
View all 5 Parts

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano		22	52	0	6	100%
		22	23	0	6	100%
Alto		9	0	0	5	92%
Soprano		9	0	0	6	88%
Descant		10	0	0	3	11%

L’ELISIR D’AMORE de Donizetti : Chœurs Partie 13/16 Acte 2 : Coro Scena 5 Quartet

Papibois

1:56	Est. Play Time
44	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano		32	36	6	5	100%
		29	37	8	8	92%
View all 8 Parts

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano		32	36	6	5	100%
		29	37	8	8	92%
Nemorino		13	0	3	6	91%
Soprano 2		9	0	0	7	51%
Soprano 1		8	0	0	7	50%
Giannetta		9	0	0	8	41%
Adina		2	0	0	2	7%
Dulcamara		2	0	0	3	7%

L’ELISIR D’AMORE de Donizetti : Chœurs Partie 13/16 Acte 2 : Coro Scena 5 Quartet

Papibois

1:56	Est. Play Time
44	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano		32	36	6	5	100%
		29	37	8	8	92%
View all 8 Parts

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano		32	36	6	5	100%
		29	37	8	8	92%
Nemorino		13	0	3	6	91%
Soprano 2		9	0	0	7	51%
Soprano 1		8	0	0	7	50%
Giannetta		9	0	0	8	41%
Adina		2	0	0	2	7%
Dulcamara		2	0	0	3	7%

L’ELISIR D’AMORE de Donizetti : Chœurs Partie 13/16 Acte 2 : Coro Scena 5 Quartet -SOPRANO 1

Papibois

1:56	Est. Play Time
44	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano		32	36	6	5	100%
		29	37	8	8	92%
View all 8 Parts

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano		32	36	6	5	100%
		29	37	8	8	92%
Nemorino		13	0	3	6	91%
Soprano 2		9	0	0	7	51%
Soprano 1		8	0	0	7	50%
Giannetta		9	0	0	8	41%
Adina		2	0	0	2	7%
Dulcamara		2	0	0	3	7%

L’ELISIR D’AMORE de Donizetti : Chœurs Partie 13/16 Acte 2 : Coro Scena 5 Quartet - SOPRANO 2

Papibois

1:56	Est. Play Time
44	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano		32	36	6	5	100%
		29	37	8	8	92%
View all 8 Parts

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano		32	36	6	5	100%
		29	37	8	8	92%
Nemorino		13	0	3	6	91%
Soprano 2		9	0	0	7	51%
Soprano 1		8	0	0	7	50%
Giannetta		9	0	0	8	41%
Adina		2	0	0	2	7%
Dulcamara		2	0	0	3	7%

Andre Campra - Messe de Requiem. [I. Introit.] {Professional production full score.} Unfinished.

Jamie Holdham

1:14	Est. Play Time
79	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Violoncello		13	0	2	4	100%
Viola		8	0	0	6	92%
View all 7 Parts

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Violoncello		13	0	2	4	100%
Viola		8	0	0	6	92%
Violine 1		13	0	1	5	92%
Violine 2		8	0	0	4	92%
Chor 5		2	0	0	3	13%
chor 1		2	0	0	1	8%
Chor 4		1	0	0	1	4%

L’ELISIR D’AMORE de Donizetti : Chœurs Partie 11/16 Acte 2 : Coro « Bravo Dulcamara » - BASSE

Papibois

1:06	Est. Play Time
44	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano		20	23	5	6	88%
		22	21	4	6	88%
View all 10 Parts

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano		20	23	5	6	88%
		22	21	4	6	88%
Basse		9	0	4	3	64%
Tenor 1		9	0	2	3	64%
Tenor 2		9	0	2	3	64%
Soprano 1		8	0	1	2	60%
Soprano 2		7	0	1	2	60%
Dulcamara		12	0	4	4	57%
Adina		7	0	1	3	43%
Belcore		6	0	1	3	14%

L’ELISIR D’AMORE de Donizetti : Chœurs Partie 11/16 Acte 2 : Coro « Bravo Dulcamara » -SOPRANO 1

Papibois

1:06	Est. Play Time
44	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano		20	23	5	6	88%
		22	21	4	6	88%
View all 10 Parts

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano		20	23	5	6	88%
		22	21	4	6	88%
Basse		9	0	4	3	64%
Tenor 1		9	0	2	3	64%
Tenor 2		9	0	2	3	64%
Soprano 1		8	0	1	2	60%
Soprano 2		7	0	1	2	60%
Dulcamara		12	0	4	4	57%
Adina		7	0	1	3	43%
Belcore		6	0	1	3	14%

L’ELISIR D’AMORE de Donizetti : Chœurs Partie 11/16 Acte 2 : Coro « Bravo Dulcamara » - TENOR 2

Papibois

1:06	Est. Play Time
44	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano		20	23	5	6	88%
		22	21	4	6	88%
View all 10 Parts

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano		20	23	5	6	88%
		22	21	4	6	88%
Basse		9	0	4	3	64%
Tenor 1		9	0	2	3	64%
Tenor 2		9	0	2	3	64%
Soprano 1		8	0	1	2	60%
Soprano 2		7	0	1	2	60%
Dulcamara		12	0	4	4	57%
Adina		7	0	1	3	43%
Belcore		6	0	1	3	14%

L’ELISIR D’AMORE de Donizetti : Chœurs Partie 11/16 Acte 2 : Coro « Bravo Dulcamara » - SOPRANO 2

Papibois

1:06	Est. Play Time
44	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano		20	23	5	6	88%
		22	21	4	6	88%
View all 10 Parts

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano		20	23	5	6	88%
		22	21	4	6	88%
Basse		9	0	4	3	64%
Tenor 1		9	0	2	3	64%
Tenor 2		9	0	2	3	64%
Soprano 1		8	0	1	2	60%
Soprano 2		7	0	1	2	60%
Dulcamara		12	0	4	4	57%
Adina		7	0	1	3	43%
Belcore		6	0	1	3	14%

L’ELISIR D’AMORE de Donizetti : Chœurs Partie 11/16 Acte 2 : Coro « Bravo Dulcamara » - TENOR 1

Papibois

1:06	Est. Play Time
44	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano		20	23	5	6	88%
		22	21	4	6	88%
View all 10 Parts

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano		20	23	5	6	88%
		22	21	4	6	88%
Basse		9	0	4	3	64%
Tenor 1		9	0	2	3	64%
Tenor 2		9	0	2	3	64%
Soprano 1		8	0	1	2	60%
Soprano 2		7	0	1	2	60%
Dulcamara		12	0	4	4	57%
Adina		7	0	1	3	43%
Belcore		6	0	1	3	14%

L’ELISIR D’AMORE de Donizetti : Chœurs Partie 11/16 Acte 2 : Coro « Bravo Dulcamara »

Papibois

1:06	Est. Play Time
44	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano		20	23	5	6	88%
		22	21	4	6	88%
View all 10 Parts

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano		20	23	5	6	88%
		22	21	4	6	88%
Basse		9	0	2	3	64%
Ténor 1		9	0	2	3	64%
Ténor 2		9	0	2	3	64%
Soprano 1		8	0	1	2	60%
Soprano 2		7	0	1	2	60%
Dulcamara		12	0	4	4	57%
Adina		7	0	1	3	43%
Belcore		6	0	1	3	14%

J. S. Bach: Sei nun wieder zufrieden, meine Seele (BWV 21, #9)

BSG

9:04	Est. Play Time
216	Measures
	5,056Kb

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Org. Cto.		21	87	7	3	92%
		22	0	6	4	100%
View all 15 Parts

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Org. Cto.		21	87	7	3	92%
		22	0	6	4	100%
Contrabass		22	0	6	4	100%
Vcl		22	0	6	4	100%
Alto		18	0	6	6	91%
Basso		19	0	6	5	86%
Soprano		14	0	4	6	78%
Tenor		14	0	4	5	75%
Trombone		17	1	6	6	53%
		21	8	6	5	57%
Viola		14	0	4	5	46%
Violin 2		17	0	6	6	44%
Bassoon		18	0	5	4	41%
Oboe		10	0	3	3	29%
Violin 1		9	0	2	1	27%

Chorus of The Dead

Viorst

2:03	Est. Play Time
50	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Alto		11	5	3	2	59%
Violin		9	5	4	2	52%
View all 11 Parts

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Alto		11	5	3	2	59%
Violin		9	5	4	2	52%
Harp		6	0	0	2	41%
		6	0	1	1	26%
Soprano		8	3	3	2	41%
Tenor		7	0	2	2	41%
Hand Bells		5	0	0	1	17%
		8	2	2	2	26%
Voice		5	0	1	2	20%
Timpani		5	1	1	1	13%
Tubular Bells		6	3	0	1	11%

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